Film Studies Dissertation Topics

Film Studies Dissertation Topics

Info: Film Studies Dissertation Topics
Published: 25th August 2025 in Film Studies Dissertation Topics

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Introduction

Film studies is a developing subject that quantitatively analyses cinema’s cultural, social, and political role. It is concerned with a wide variety of topics, from the study of narrative forms, the theme of gender, race, and identity, to the study of filmic cinematography and technologies. As film industries are increasingly global and digital media is advancing rapidly, film studies are also becoming more interdisciplinary. Here, I expose some principal themes of film studies and discuss how contemporary cinema contextualizes and shapes society.

Background Context

Film studies are an academic level influenced by the history of technology and originally framed as either an account of cinema history or cinema theory, shifting from product for entertainment to socio-political product. With the ongoing evolution of the technological landscape, filmmakers continue to receive new tools to work with as they tell stories, a process that is still evolving with the invention of new platforms and techniques. Commercial streaming services also affect traditional documentary and cinematographic structures. The focus of this project is to investigate the new media interfaces or formation of documentary and their implications for narrative, aesthetics and global cinema; and to critique the agency and accountability of contemporary cinematic theory and the implications cinematic theory has for cinema and “quality” film.

Future Research Topics

  • Film and Technology: Research the role of digital media, virtual reality, CGI etc., and their influence on contemporary films.
  • Gender Representation in Film: Research how gender roles and stereotypes are formed or disruptively obstructed in film narratives.
  • Film as Critique: Investigate how film critiques significant political issues/social and cultural issues.
    Film Genres:     Investigate how film genres (horror, sci-fi, drama, comedy etc.) are being reconstructed in a contemporary digital practice.
    World Cinema: Investigate how global culture and non-western cinema relate to/are connected to mainstream cinema.

Dissertation Topic 1:

The Representation of Race and Identity in Contemporary Film

Background Context

Race and identity have always been important facets of film. We see that there are additional examples of racial and ethnic diversity in films globally, and filmmakers are seeking potential spaces to flip stereotypes. The representation of marginalized communities in contemporary cinema reflects a larger jockeying towards social justice and inclusion. This dissertation will examine how race, ethnicity and identity are represented and in what way those representations deconstruct or recreate established stereotypes in society.

Research Questions

  • How have race and ethnicity been portrayed in contemporary cinema and what does that denote about attitudes in our society?
  • What narrative and visual styles can we use to engage with racial identity issues?
  • To what extent does the representation of race in film impact public perception and public policy?

    • Potential Implications

  • Provide a conceptual understanding of how film, as an art form, has the capacity to demonstrate possibilities for instigating change regarding race and racial stereotypes.
  • Design policy suggestions for enhancing representation in film productions.
  • Design awareness training for filmmakers to examine the forces and consequences of representation in narrative.

    • Suggested Reading

  • Davis, A., & Clark, L. (2025). Racial Identity in Film: A Critical Analysis. Journal of Film Studies, 30(3), 50-75.
  • Johnson, M., & Lee, T. (2024). Breaking Stereotypes: Race in Contemporary Cinema. Film Theory and Criticism, 22(1), 15-30.

    • Dissertation Topic 2:

    The Impact of Digital Technology on Contemporary Film Aesthetics

    Background Context

    Digital film practice has radically altered some of the most significant aspects of film shooting, editing and exhibition practice. Technologies associated with digital developments enable filmmakers to explore film worlds and realities with CGI, virtual reality and motion capture. This dissertation will focus on how technology has changed the visual styles and narrative styles of modern films and will focus on the genres of science fiction and fantasy from the assumptions of the early 21st century.

    Research Questions

  • What is the impact of digital technology on contemporary cinema aesthetics?
  • What are the impacts of CGI and motion capture on narrative?
  • What effects do digital technologies have on the emotional/psychological connections of the audience?

    • Potential Implications

  • Conduct a critical examination of the relationship technology has played in innovating cinema.
  • Consider the increasingly permeable boundaries between reality (real) and fantasy (fictional/reality).
  • Support film practitioners on ways to integrate emerging technologies into their works.

    • Suggested Reading

  • Scott, H., & Patterson, D. (2025). Digital Cinema and Aesthetic Innovation. Journal of Digital Media, 18(2), 100-115.
  • Stevens, R., & Evans, M. (2024). CGI and Film Aesthetics: A New Era. Journal of Cinematic Arts, 13(4), 60-85.

    • Dissertation Topic 3:

    The Cinema's Role in Cultural Memory and Collective Identity

    Background Context

    Film is one of the most important cultural apparatuses used to construct the collective memory of society, whether considering epic theatrical presentations or documentary cinema. Cinema can be a foundation for people’s national identity and historical events, as well as the birth of social movements. This dissertation attempts to address film and cultural memory by considering how cinema shapes public identity and history.

    Research Questions

  • How do films construct cultural memory and national identity?
  • How do filmmakers interpret and represent historical events/cultural history, and what role do their messages have in a collective memory?
  • What ethical responsibilities do filmmakers have with respect to cultural history when they represent it through film?

    • Potential Implications

  • Evaluation of the film’s construction of national and cultural identity.
  • Recommendations to filmmakers about ethical considerations and ways to portray and interpret historic happenings.
  • Continue to discuss film as a mode, and the possibilities it has as a medium for social change.

    • Suggested Reading

  • Mitchell, D., & Brown, L. (2025). Film and Cultural Memory: Narrating History in Cinema. Journal of Film History, 20(3), 55-75.
  • Roberts, S., & Thompson, J. (2024). Collective Identity in Cinema: A Cultural Analysis. Journal of Media and Culture, 12(2), 90-110.

    • Conclusion

    Film studies is an ever-changing discipline which encompasses a variety of topics, from narrative discourse to the ways in which digital technology has reshaped the aesthetics of cinema. The dissertation topics presented here cover some of the most salient issues in contemporary cinema and provide critical analyses of ways in which film reflects and shapes cultural, political, and social values. Students who have an interest in these issues can make an effective contribution to our understanding about the role of film and society. At PhD Assistance we provide advice on expert topics in film studies; on narrative analysis to cinematic innovation – we assist on topic identification, research design, literature reviews, and publications! Contact us today to start your personalized PhD assistance.

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